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The rhythm and energy of Bulgarian folklore have the power to create a community

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Photo: BTA

‘The Bulgarian horo is a kind of magic — an enchanted circle that pulses with the unique energy of our spirit, our traditions and our identity,’ says journalist Milena Milotinova, who recently presented her new documentary The Magic of the Bulgarian Horo, dedicated to the traditional chain dance. The film was shot during two major Bulgarian cultural events abroad — the “Festival of the Letters” in Milan and the 10th edition of Na Megdana v Drugata Bulgaria (“In the Village Square of the Other Bulgaria”), the travelling festival which this year took place in Lyon.



This is not Milotinova’s first project to focus on Bulgarians around the world. Last year, to mark the 30th anniversary of the State Agency for Bulgarians Abroad, she released the documentary The Heart of the Other Bulgaria. It is with the similarities and differences between these two films that our conversation begins.


'Both films tell the story of how Bulgarians around the world work to preserve our culture, traditions, and folklore,' Milotinova says. 'In the first film, we also talk about our Sunday schools, which keep alive the Bulgarian roots, spirit and language among children. We raised the issue that, at the time, many of our folk ensembles abroad still lacked the support from Bulgaria that they hoped for. This is precisely why they created their own association — to represent them before Bulgarian institutions.

The Bulgarian premiere of the documentary film The Magic of the Bulgarian Horo.
The new film, however, is quite different. It is devoted to Bulgarian folklore and how Bulgarian folk traditions resonate with people beyond the Bulgarian community. In the documentary, the protagonists explain that the first Bulgarian singing and dance groups in some countries were founded by non-Bulgarians.'

So it's no coincidence that some of the participants in the film are not Bulgarian, even though they have tied their lives to our country:

'The atmosphere surrounding the rehearsals of the folk ensembles and their performances on stage is incredibly energising and full of positivity. There’s a rhythm in the air that naturally draws you into the dance, making you move along with the steps. Some of the non-Bulgarians dance remarkably well, and I couldn’t tell them apart; I chose them as interviewees purely by their faces.'


Meeting of the Association of Folk Ensembles in Lyon

Rhythm, energy, and the capacity to foster a sense of community are the qualities of folklore that make it especially effective at uniting Bulgarians abroad, while also engaging people from other backgrounds. This is particularly significant in today’s world, where individualism often prevails.


'Historically, folklore has preserved our identity, just as our Cyrillic script and language have,” Milotinova tells Radio Bulgaria. “Our folklore developed alongside the Cyrillic script, which is why the two are so closely intertwined.' During the ‘Festival of the Letters’ in Milan, for example, participants parade through the streets carrying giant letters and wearing traditional costumes, dancing the horo and singing folk songs.”


Среща на Асоциацията на фолклорните състави в Лион

Before filming, Milotinova and her team conducted extensive research. They were especially grateful for the invitation to participate in the meeting of the Association of Folklore Ensembles in Lyon, hosted by the ensemble Ot Izvora and Anita Ekenova — the driving force behind the travelling folklore festival Na Megdana na Drugata Bulgaria, who was rightly honoured with the “Bulgarian Woman of the Year” award by the State Agency for Bulgarians Abroad.

Anita Ekenova
'This year, she achieved something truly unique. One hundred and seven Bulgarian folklore ensembles from abroad came to Lyon. On the Place des Terreaux, in the historic Presqu’île district, there were around 4,000 Bulgarians, along with many others from different backgrounds. It was an extraordinary event, and I have never experienced anything that left me feeling so energised. We captured a huge amount of footage, far more than could fit into a 52-minute television format. I’m also very pleased that the National Culture Fund opened a call for applications last year, and that our project was among those awarded funding.”


Since its premiere in Bulgaria, Milena Milotinova has received numerous invitations to screen the film for Bulgarian communities in other European cities, all of whom are eager to experience the magic of the Bulgarian horo for themselves.



Editor: Elena Karkalanova
Posted in English by E. Radkova
Photos: BTA, the Executive Agency for Bulgarians Abroad and sabornamegdana.com




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